From his earliest years Schottlander was surrounded by art. He was born in Mainz, Germany in 1924 to a family of art enthusiasts who owned pieces by Klee, Baumeister and Kandinsky amongst others. The rise of Nazism and the resulting persecution of the German Jewish population caused Schottlander to flee to England in 1939. He arrived in Leeds where he took up work as a welder in the wartime factories whilst simultaneously taking evening classes in sculpture. In 1944 he served as part of the British Army in India and upon his return earned a grant to study sculpture full time for a year at the Anglo French Centre in London. This was followed up with a spell at Central School of Arts and Crafts learning Industrial Design. Schottlander's dual paths in these related but very distinct fields would form the basis of his entire career.
Schottlander also found inspiration beyond the art that was the backdrop to his youth, other sources included later Bauhaus luminaries such as Lazlo Moholy-Nagy and his fellow photographers of the 'New Objectivity'. The inspiration for the Mantis lights can be seen clearly in the mobiles of Calder, the interplay of balance and imbalance is realised both in the movement of the shade and in its counter-weighted body. A fascination with nature also played a role; the lamp is not just Mantis by name but also in it's distinct biomorphic appearance and movement.
The Mantis BS5 wall lamp is the latest in a series of DCW reissues of Bernard Schottlander's iconic Mantis collection
The Mantis BS3 table lamp is part of a series of DCW reissues of Bernard Schottlander's iconic mid-century Mantis collection
Mantis BS1B is a strikingly formed floor lamp by Bernard Schottlander that is inspired by early 20th century sculptures